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City Theater Company paints the town – and all that jazz – this December with Chicago, the Tony Award-winning musical by Kander, Ebb, and Fosse.

Updated: Oct 24

Tickets are available NOW at www.city-theater.org  


For Immediate Release: October 2, 2025


Media Contact: Michelle Kramer-Fitzgerald, City Theater Company, 302-377-3156 or citytheatercompany@gmail.com


City Theater Company (CTC), now in its 32nd season, gives them “the “old razzle-dazzle” this December with Chicago, one of the most popular American musicals of all time. 


With a book by Fred Ebb and Bob Fosse, music by John Kander, and lyrics by Ebb, Chicago first took the world by storm in 1975 and has endured ever since. Its iterations include an Academy Award-winning film and the current N.Y.C. production, which is the longest running American musical in Broadway history. Chicago is based on the play by Maurine Dallas Watkins, with a script adaptation by David Thompson, and presented here by arrangement with Concord Theatricals.


Artistic Director Kerry Kristine McElrone directs, and promises a whole lotta grit with a little bit of glam, as CTC transforms their performance home at The Black Box in The Delaware Contemporary into a speakeasy for this tale of murder, moxie, and mayhem in 1920s Chi-town.


McElrone chose Chicago, in part, as a response to the current times. “We are a century removed from the era of the play, but in our Roaring Twenties timeline, the power of ‘celebrity’ under the ever-changing ‘rule of law’ are remarkably similar. Times are hard and chaotic, everyone has an angle, and some of us are cashing in where they can.” says McElrone. “The media circus that surrounds every new scandal consumes the public – and ‘nowadays’ we too move on from yesterday’s news in an instant when some fresh outrage shows up.”


She continues, “There’s good reason for Chicago’s enduring popularity. Beneath all the glitz and fun of that other ‘20s is a laser-focused commentary on society’s response to turbulent times. These characters – the flappers and the clubmen, the lawyers and the press – are living lives of unquiet desperation in an unhinged society. In 2025, these stories resonate, and we can tell them in CTC’s trademark up-close-and-personal style.” 


Dylan Geringer stars as Roxie Hart, the bored housewife-turned-murderess with wannabe chanteuse dreams. Dana Michael stars as Velma Kelly, seasoned vaudeville star and fellow accused killer. 


Both Philadelphia-area actresses are long-time CTC performers, and have appeared onstage together in Bloody Bloody Andrew Jackson and Bat Boy: The Musical. They are elated to be tackling these dream roles opposite one another.


Says Geringer “I was first introduced to Chicago as a 14-year old, when my mother and grandmother took me to see the recently released movie in theaters. I was truly blown away by it, all the more so because I went in cold without any real knowledge of the show beforehand (and because, at that age, I was at the absolute height of my musical theater geekdom!) Chicago will always hold a special place in my heart because of that experience, and I’m so thrilled to have a chance to be a part of it on stage 20+ years later. To be able to do so at my home base of CTC, alongside Dana, is the cherry on top.”


Michael wisecracks in character “After hanging up my fishnets long ago, I made a deal with CTC to finally return to the stage in exchange for my testimony against Dylan – and I am excited to ‘shimmy ‘til my garters break.’”


Joining Geringer and Michael is a notable who’s who of CTC fan-favorites: Tonya Baynes (Love’s Labour’s Lost, Nine), Daryan Borys (Dancing At Lughnasa, Cabaret), Jolene Cuisine (Diva Baby Does Delaware), Tommy Fisher-Klein (Xanadu, Hair), Autumn Jewel Hudson (Spring Awakening), Mary Catherine Kelley (Vanya & Sonia & Masha & Spike, Les Cages Aux Folles), and Paul McElwee (Gypsy, Assassins.) Making their CTC debuts alongside these veterans are CTC newcomer Jonathan Frazier and CTC Board Member Scott Frelick.


Chicago is a bucket-list show for McElrone as well. “I grew up loving Chicago, like every musical theater kid, and always dreamed of getting to do it at CTC. Staging our take on this classic at CTC, with this particular group of amazing actors and designers, in an era not unlike that of the show, is the cat’s pajamas.”


CAST & CREATIVE TEAM

CHICAGO stars Tonya Baynes, Daryan Borys, Jolene Cuisine, Tommy Fisher-Klein, Jonathan Frazier, Scott Frelick, Dylan Geringer, Autumn Jewel Hogan, Mary Catherine Kelley, Paul McElwee, Dana Michael, and Dionne Williford (Mamma Mia!); featured musicians are Don Brill, Robert Diton, Josh Dowiak, and Kanako Neale. 


Directed by Kerry Kristine McElrone. Music Direction by Joe Trainor. Choreography by Dawn Morningstar. Set design by Rick Neidig. Lighting design by Jason Burns. Stage Managed by Stuart Thomas. Promotional art by Joe del Tufo and Joe Trainor.


IF YOU GO


TICKETS:

General admission $45. Seniors and Military $35. Student with ID $25.

Tickets available now at city-theater.org for all shows.


SHOW DATES/TIMES: 

CHICAGO runs December 12-20, 2025 for seven performances. All shows at 8 P.M. with one matinee on Sunday, December 14 at 2 P.M..


Rated PG-13 (adlut themes, sexual and suggestive content, murder.)  


LOCATION:


All shows at THE BLACK BOX, home of City Theater Company and Fearless Improv, inside The Delaware Contemporary, 200 South Madison Street, Wilmington, DE 19801. 


All shows feature free admission to the museum galleries and a cash bar. The Delaware Contemporary offers free parking, and is a short walk from the Joseph R. Biden Amtrak train station. It is located on the Wilmington Riverfront, home to a scenic Riverwalk featuring a variety of restaurants for pre- or post-show dining. 


CREDITS:


Book by Fred Ebb and Bob Fosse.

Music by John Kander.

Lyrics by Fred Ebb.

Based on the play by Maurine Dallas Watkins.

Script adaptation by David Thompson.


CHICAGO is presented by arrangement with Concord Theatricals. www.concordtheatricals.com


ABOUT CITY THEATER COMPANY:


City Theater Company, founded in 1993, performs contemporary comedies, new works, and classic musicals to critical acclaim in an intimate black box theater on the Wilmington waterfront. This organization is supported, in part, by a grant from the Delaware Division of the Arts, a state agency, in partnership with the National Endowment for the Arts. The Division promotes Delaware arts events on DelawareScene.com.

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